Exploring the Legacy of DDR Architect Hermann Henselmann Through His Granddaughter's Lens

The legacy of Hermann Henselmann, a prominent architect of East Germany, continues to evoke a complex blend of admiration and critique. As the designer of notable structures such as parts of Karl-Marx-Allee and the Berlin TV Tower, Henselmann's influence on the urban landscape of Berlin is undeniable. His granddaughter, Florentine Anders, is now shedding light on her family's history and the intricacies of her grandfather's life through her recently published book titled Die Allee.

In a recent interview, Anders reflected on her upbringing and the significance of her grandfather's work. She described how she introduces her family heritage to others, emphasizing her grandfather's architectural achievements and the lasting impact they have had on the city. Despite Henselmann's renown, Anders noted that many younger architects are often unfamiliar with his contributions.

Walking along the Karl-Marx-Allee, which was once known as Stalinallee, evokes a sense of nostalgia for Anders. She recounted childhood memories of family gatherings in the area, highlighting its vibrant past filled with shops and restaurants unique to the DDR. However, she lamented the current state of the Allee, likening it to a highway stripped of its former charm.

As the chairwoman of the Hermann Henselmann Foundation, Anders aims to honor her grandfather's role as a key figure in East German architecture while also portraying the contradictions of his character. She acknowledges that Henselmann was not merely a heroic figure but a man shaped by the complexities of his time.

Reflecting on the generational impact of her grandfather's legacy, Anders mentioned the mixed feelings that arise from understanding his life through her mother's accounts and her own research. She expressed that her perception of Henselmann has evolved, revealing a man who was both supportive and at times, emotionally distant.

Hermann Henselmann, who was born in 1905, was a follower of the Bauhaus movement and was instrumental in the reconstruction of East Berlin. His modernist ideals often put him at odds with the political regime that sought to control artistic expression. Despite his accolades, including the National Prize of the DDR, Anders describes the privileges her family enjoyed as part of a 'feudal socialism' that starkly contrasted with the ideals of equality espoused by the state.

Anders elaborated on the complexities of her grandmother's life, who aspired to be an architect but was often overshadowed by her husband's prominence. While women in the DDR were encouraged to work, Anders pointed out the reality of her grandmother's situation, which reflected a broader struggle for female autonomy.

In discussing the impact of her grandfather's decisions, Anders noted that he often navigated the challenges of the regime with a focus on his architectural ambitions, sometimes at the cost of ethical considerations. His reluctance to take a definitive stand against the regime, especially during significant protests like the uprising of June 17, 1953, raises questions about the moral compromises made in the name of career and ambition.

Anders aims to present a nuanced portrayal of her grandfather in her writings, encouraging readers to reflect on their own potential responses to similar dilemmas. She believes that understanding her family's history is crucial for grappling with the broader narrative of the DDR and its legacy.

As she shares her family's story, Anders hopes to contribute to a more comprehensive understanding of East Germany's architectural heritage, acknowledging both its triumphs and tribulations. Her reflections serve as a reminder of the complexities surrounding historical figures and the legacies they leave behind.