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Italy's cultural attractions have witnessed a remarkable surge, with the nation recording over 60 million paying visitors to its museums and historical sites last year. This figure surpasses the country's current population, which stands at approximately 59 million.
The highlight of this tourism boom is the iconic Colosseum in Rome, which alone welcomed 14.7 million visitors. Following closely are the renowned Uffizi Gallery in Florence, attracting 5.3 million guests, and the ancient city of Pompeii, with 4.3 million visitors, a site forever marked by a devastating volcanic eruption.
These tourists contributed over 382 million euros in ticket sales to the Italian treasury. This represents an increase of two million visitors compared to the previous year, with total revenues growing by 68 million euros. The Colosseum alone generated over 100 million euros in revenue for the state, highlighting its significance as a major draw for international and domestic tourists alike.
Italy boasts more than 400 state-run museums, and while the figures are impressive, they do not include the Vatican Museums, which are under the jurisdiction of the Vatican City, an independent state within Rome. These museums, housing world-renowned treasures including the Sistine Chapel, attract more than six million visitors annually and would rank second if included in the overall statistics.
Other notable sites contributing to the tourism figures include the Pantheon in Rome, with 4.1 million visitors; the Galleria dell'Accademia, home to Michelangelo's David, attracting 2.2 million; the Castel Sant'Angelo, drawing 1.3 million; and the Egyptian Museum in Turin, which received around one million visitors.
This surge in museum attendance reflects not only Italy's rich cultural heritage but also the growing global interest in its art and history. As the country continues to recover from the impacts of the pandemic, these numbers indicate a vibrant return to cultural tourism, reinforcing Italy's position as a top destination for art lovers and historians alike.
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